Publications
IAFOR Journal of Cultural Studies Vol. 3, No. I, 2018
Editor’s Introduction
Articles
A Portrait of the Computer as a Young Artist
Holger Briel, Xi’an Jiaotong Liverpool University, China, & Monarch University, Switzerland
Difference-theoretical Analysis of Aesthetic Media and Forms
Franz Kasper Krönig, University of Applied Sciences, Cologne, Germany
From Edwardian Selfie to Telepresent Comic
Paul Sermon, School of Art, University of Brighton, UK
Open Interactivity: A Model for Audience Agency
Charlotte Gould, School of Art, University of Brighton, UK
Is Video-art Becoming a Form of Popular Art? The case of Apple TV’s Aerial Screen Savers
Pavel Slutskiy, Faculty of Communication Arts, Chulalongkorn University, Bangkok, Thailand
Kybernetes Vol. 50, No. 4, 2021
Articles
The public as projection
A sphere askew: operations, territory and the public in the digital age
Theoretical and practical influences of Habermas’s global academic best seller: structural transformation of the public sphere in the United States
No Consensus – Because Why? Interview with Maren Lehmann and Ingrid Volkmer
The general peer: the public sphere in the age of profilicity (profile-based identity)
Online order in the age of many publics
Matthias C. Kettemann, Anna Sophia Tiedeke
The individual’s role in cybercrime prevention: internal spheres of protection and our ability to safeguard them
Kristjan Kikerpill
Climate’s role in Earth’s shifting spheres